Moving Meditation (Or The Time I Confessed My Addiction to Movement)

I've had a pretty ambivalent relationship with rituals all my life. In that I don't particularly like them, but sometimes I need them. They can be a nice, powerful anchoring energy... or just a really fuckin heavy anchor.

I've spent a big chunk of my life bouncing between several different jobs, contracts, and countries. And while I've managed to retain the same friends for the past some years, I've got lots of little groups of them to move between. So. What does ritual mean to me? Lately, I've been thinking about the rare rare times in my life when "ritual" has worked. When a constant felt comforting and not stagnating...

Ok, there was the invaluable ritual of going to tai chi twice a week, which gave me two much-need weekly excuses to leave my house in the dead of winter and socialize. I would say this same ritual helped me through a fair bit of depression as well. Um... sushi? Does sushi count? How about brunch??

Truth told, the only time I think it's actually worked was in Cambodia. Against all odds, I managed not only to spend 3 months doing the same thing every bloody day, but I managed to love it, like really feel connected to the ritual. Partly, I think, because I was was so proud of myself for not going rights nuts and succumbing to sheer and utter boredom. Which, to this day, absolutely blows my mind. I was in a remote village with no electricity, no running water, no TV, no pool table, no lights, no books... no distractions. There was one "mountain" (really just a hill) a scooter ride away, but basically, it was never-ending rice fields in all four directions, and not much to explore, with no means to explore it even if there was. My life was scheduled by the hour. The same thing every day:

Wake Up
Make a meal
Eat a meal
Teach
Make a meal
Eat a Meal
Teach
Teach again
Make a meal
Eat a meal
Light a candle/Watch the bugs/Chat/Chain smoke cigarettes and have an occasional joint
Go to Bed

EVERY DAY. Like the only variations were laundry day and getting invited to a neighbour's house for dinner. And I LOVED IT.

Yes, there are obvious factors. I'd been on the road for a long time before I got to Cambodia; I was tired and needed a place to lay my head. But the other major factor was the people. Frank, Anke, Babsie and I were a tight little unit and became incredibly close by circumstance. We never fought, were never awkward or uncomfortable with each other (except for that one time we got too stoned...) and just managed to pool our best qualities for the others to draw on. The people in the village were an endless source of amusement and entertainment, sometimes frustrating and sometimes just the most beautiful revelation.

I've always likened my time in Cambodia to the dizzy syndrome You remember, as kids, how we'd spin ourselves around and then stop and watch the world keep tumbling? I imagined myself as this kid who'd spun herself round and round and round for over a year, bouncing from one country to the next, and then, suddenly, I stopped. And the coolest thing happened- the world kept spinning. I was doing the same thing every day, but suddenly, experiences were finding me. Every big and little thing became totally interesting; every experience a lesson that I could draw on.

I'm sitting here thinking of all this because, yeah, I guess it just depends on the ritual. This 9-6 one, for example, kind of bites. I don't understand how people can breathe life into it, make it fresh, reinvent it. I don't understand how people can watch all their daylight hours slip by through a window (and btw, I don't even have a window) for 10 years and not realize that there are much better things out there to waste their time and energy on. And the thing is, I LIKE my job, so I can't even begin to understand the people who are putting up with this that don't. I guess I should admire their... stamina.

So what is ritual to me? Ritual is the Jedi mind trick of making some place old look new again. Ritual is revisiting myself every couple of years, watching younger and older versions of me spar and dance. Ritual is using the tools I've crafted over my lifetime to learn something new every day. Ritual can't be the same, it has to be different. However subtle the movement, it has to move.

... I think that's my subtle way of saying I need a vacation.

Version 3.0

Well, that scary 3.0 precipice is officially at my back- I braced, I jumped, I survived. I even managed to come out of it feeling pretty emotionally unscathed... which, yeah, surprises me too, but there you have it.

It's all just kind of amusing, actually. On Thursday (my actual birthday) I kept staring at my shoe- which is so ripped up that, at a certain angle, you can actually see more sock than shoe- and thinking "... I'm 30." I actually couldn't wipe the smug look off my face all day. 30 is so the new 19.

I like to think of myself in terms of age, because I consider myself to be a bit of an ambivalent creature in this respect, in the best possible way- professionally mature and socially immature (but in the most endearing way, of course). Like, I'm young, I'm so so so young. And this is just a personality thing. Things like squid and ninjas and zombies and tarsiers and hopping vampires will always be funny to me. BUT- I also have my shit together. I'm responsible, I'm smart, I work hard, I know how to deal with people... In other words, I can play all the adult games... but still be ridiculous. Still be thirsty and curious. Still (hopefully) have the energy and blind ballsiness to run out and get slapped around by life every once in a while. I don't think I ever want to lose that. I don't ever want to be too afraid to try. Too lazy, well... that's another story.

This actually feels like forced reflection. I honestly don't feel anything about 3.0... which is kind of hilarious because I remember spouting such somber words of wisdom about turning 21. And now at 30, I'm suddenly struggling to feel neurotic about it, because it's so expected that I should feel neurotic, and because it's so me to be neurotic... But yeah, nothing. My inner dialogue is going a little something like this:

- We're 30.
- Oh no! What does that mean??
- [long silence] It doesn't mean
anything.
- ...oh

Maybe it's one of those things that creeps up on you.

A pinch of this, a taste of that...

I've been getting a few emails about random things that I'm rather excited about, so I thought I'd spread the word in a cultural smorgesboardian-type post.

I wrote about Court 13's new film Glory at Sea here, and I've just been told they've recently released it on their website here. Glory at Sea is a castaway epic set in the aftermath of Katrina, about a group of ruffians who build a makeshift boat to scour for their loved ones at the bottom of the sea. Up until now, all the Court 13 stuff I've seen has been on the strange side of humour, and while some of the witicisms remain, GAS definitely feels like a transition. I think Benh actually relocated to New Orleans shortly after Katrina, and I know the film has been a long time in the making, so maybe it's just my imagination but I feel like there's a whole lotta heart in this one. It's a very earnest film, and the music really moves it along; is very much a part of the package. The writing is solid, the concept is heartbreaking, and it totally made me want to... I dunno... GET UP. Go check it out, and dip into the back catalogue, there's some awesome stuff in there.

I met Pat and Marek of Tin Can Forest while I was working on my live soundtrack gig, and then in person while I was at Planet in Focus. They showed me some of the other stuff they were working on, a series of macabre Czech fairy tales thrown together under the title Domovoi. The drawings are amazing- totally engaging, mysterious and BUSY. I'm super-excited because apparently they now have an animation piece in the works based on Domovoi. It's called Pohadsky. Check it out. For peeps in Toronto, Tin Can Forest has an exhibition on at Resistor Gallery until early January.




While I'm at it, I should tell you about Jimmy. He's a Taiwanese writer/illustrator and I'm absolutely in love with his artwork. I can't read any of his books because they're all in Chinese, but I'm already convinced I understand them. This man has the amazing ability to tap into a child's dream world and paint it into existence. His stories are wildly imaginative and his drawings filled with a wonder and innocence that make me feel stupidly happy.

Here's another one:


I wish I could show you some illustrations from the book, or show you how big my eyes are when I'm looking at them.... I've made it a personal mission to learn how to read some of his books... although I've been told it ain't gonna be easy.

That's all for now.